Alverata Greek

About this font Awards

Alverata Greek is a contemporary, eclectic typeface inspired by type from medieval Europe. Capital inscriptions are the basis for this face, which can be seen in its short, thorn-like serifs and flared forms. Alverata Greek also experiments with the characters themselves by exchanging straight lines for curves and vice versa, becoming resolutely modern in the process. Alverata performs beautifully in both digital and physical applications, delivering excellent openness and legibility in small text and proving lively and attractive at large sizes.

ISTD 2014
Typeface Design of 2014, Communication Arts
Rutenia 2014
Fontshop’s Best of 2014
Typographica’s Notable Releases of 2014
Gold, 2015 European Design Awards
Honourable mention, Print Magazine
Yearbook of Type II, 2015
TDC Tokio: Type Design Prize 2016
50 best typefaces, étapes magazine 2014

Select styles from USD 65.82

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The Backstory

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Alverata Greek

A contemporary, eclectic font family drawn from roots in Romanesque Europe.

Alverata is Dr Gerard Unger’s resolutely modern font family inspired by his doctoral research on Romanesque type in 11th and 12th century Europe. Capital inscriptions are the basis for this face, which can be seen in its short, thorn-like serifs and flared forms. Alverata also brings in secondary considerations from the early 20th century model, but tweaks them to prevent blandness and imitation.

Alverata stretches conventional letterforms without disturbing readers with unfamiliar details. Its primary Romanesque forms are robust while refinement is shown through myriad details, such as how the curves meet stems and how terminals of curves are resolved. Alverata comes in three styles to serve a wide audience (Regular, Informal, and Irregular), each with their own purpose and feel. The Regular sets the overall tone while the Informal style introduces an unexpected softness with such things as a single-story ‘a’ and calligraphic terminals.

The Irregular style is where real distinction lies because it’s made for scenarios where combining uniqueness with eclectic historical reference is the primary goal. Curved shapes prevail in the conventional Latin lowercase, whereas straight lines and angles dominate in the uppercase. Alverata Irregular exchanges these characteristics, experimenting with the characters themselves rather than increasing their weight or creating an accompanying sans.

The secondary characteristics of the early 20th century model, mentioned earlier, are seen mostly in details and familial relation: Alverata has a large x-height, is slightly condensed, and has large interior spaces within letters. By attending to these details, Alverata performs beautifully in both digital and physical applications, delivering excellent openness and legibility in small text and proving lively and attractive at large sizes.

To complete the Alverata family, Dr Unger collaborated with Gerry Leonidas (University of Reading) and Irene Vlachou (Athens) to develop the Greek version, and with Tom Grace on the Cyrillic version. All three styles of Alverata, along with our entire catalogue, have been optimised for today’s varied screen uses.